Interview: The Pythons talk about their film tribute to Graham Chapman

“Good riddance to him, the freeloading bastard, I hope he fries,” he said in his eulogy, explaining – amid howls of laughter – that Chapman would never have forgiven him had he wasted such a prime opportunity to shock and offend an audience.

It’s an impulse that was certainly at the heart of much of this pipe-smoking doctor turned writer, satirist, comedian, actor and all-round bon vivant’s work. It’s also an impulse reflected in the new film A Liar’s Autobiography: The Untrue Story of Monty Python’s Graham Chapman – a fully animated adaptation of Chapman’s own similarly titled 1986 book.

Co-directed by Bill Jones (son of Python star Terry Jones), Ben Timlett and Jeff Simpson, it deploys a disparate array of animation styles (created by 14 different studios) to propel audiences on a weird, somewhat psychedelic journey full of wilful nonsense, wild flights of fancy, Freudian imagery and strange digressions into some of the darker aspects of Chapman’s life.

As such, it will likely wrong-foot those expecting another trawl through the origins of Monty Python, yet it’s very much in keeping with the unusual nature of its Chapman-penned source material, which counts Douglas Adams among its “non-existent co-authors”, and blends together fabulist reminiscences and fragments of memoir into a lively literary cocktail comprised of prose, scripted dialogue and illustrations. In short, it’s probably the only way the book could have been adapted.

“That’s what we felt,” says Timlett, sitting alongside Simpson and Jones in their central London production office.

“The book is full of Graham’s flights of fancy,” says Jones. “He’s talking about one thing and then he goes off on a tangent and starts talking about something else. That just set my imagination off – particularly the idea that you can delineate these changes by changing the style of animation. It also muddles it up and creates this anarchic feel.”

Though it’s natural to assume that Jones – his dad being who he is – might have some personal memories of Chapman to draw on, that wasn’t really the case. “He died when I was about 11 or 12 so my memories are few and hazy. My clearest childhood memory was actually of his memorial because afterwards they had a big party for the 20th anniversary of Python and it was the first time I got drunk.”

In fact, the film didn’t start with Jones at all, but with Simpson, who’d just made a BBC documentary about Monty Python contemporary Marty Feldman and wanted to make one about Chapman next. After spending 18 months tracking down thought-to-be lost audio recordings of Chapman reading his autobiography, however, he couldn’t get the BBC interested in a documentary, so took the material to Jones and Timlett.

Simpson says: “At that point I had a little taster tape of Graham with a little animation over it that I wanted to use to illustrate the narrated sections.”

“And I said, ‘Oh, I like the animation,’” says Timlett

There was also another reason for turning it into fully animated feature (as opposed to a documentary with some animation). Jones and Timlett had just made the six-part Almost The Truth series to commemorate the 40th anniversary of Monty Python’s Flying Circus. Consequently, they were keenly aware of two things:

“The Pythons were sick of talking in sit-down interviews…” says Timlett.

“…And we were sick of filming it,” finishes Jones.

The Eureka moment came when they realised that the two-and-a-half-hour audio recording featured Chapman performing the book, not just reading it.

Timlett says: “When we realised that, we realised we’d be able to cut in the other Pythons doing other voices.”

The film, then, features all of the Pythons bar Eric Idle – who was “too busy” – playing various characters in Chapman’s life. The biggest treat for Jones was casting his dad and Michael Palin as Chapman’s mother and father. “The reason we did that is that Dad and Mike have been best friends since college. They meet up every week and go for a drink, so you just get this sense of togetherness from them.”

Was there any trepidation about directing his dad who, lest we forget, was also the director of Life of Brian and The Holy Grail?

He ponders the question. “One time I did say, ‘Dad! Let me just have my say and you can get your take in afterwards.” He laughs. “He is my dad, so I can’t just tell him to shut the f*** up!”

Elsewhere, the film affords John Cleese the opportunity to play his and Chapman’s old That Was the Week That Was/The Frost Report cohort David Frost. Terry Gilliam, meanwhile, puts in various vocal cameos, although interestingly his distinctive Python animations are rarely referenced.