Album review: Estelle, All of Me
AS ANY lobbyist knows, the campaign for re-election begins the moment a party gains power. Things aren’t so different in record company boardrooms and there is a whiff of corporate strategising around Estelle’s new album that is never going to chime with her free-spirited musical style.
Since she hit the big time on both sides of the Atlantic with her Kanye West-guesting single American Boy and accompanying album Shine, Estelle Swaray’s career trajectory has been the subject of careful maneouvering. The goal, naturally, is to build on that breakthrough success; the dream, presumably, to turn her into another genre-straddling pop queen like Rihanna, utilising those London roots and her rapping abilities to produce a chart-friendly blend of soul, funk, dancehall and hip-hop with a dash of club crossover potential.
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