Edinburgh Book Festival chief suggests 'hybrid' events are the future for city's culture status

All book festival events will be available to watch online this year. Picture: Lisa FergusonAll book festival events will be available to watch online this year. Picture: Lisa Ferguson
All book festival events will be available to watch online this year. Picture: Lisa Ferguson
The director of Scotland’s biggest literary event has urged Edinburgh to become the world’s leading “hybrid festival city” as final preparations were made for a radical overhaul of the long-running event.

Edinburgh International Book Festival director Nick Barley said the global broadcasting of signature cultural events would help cut their carbon footprint and tackle concerns about the impact of “festivalisation” in the city.

And he suggested the city’s festivals should give equal priority to audiences attending events in person and watching online in future to help maintain their global profile and ensure they remain popular in Edinburgh.

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The book festival, which was facing growing scrutiny over the poor condition of Charlotte Square Gardens after attracting record attendances in recent years, has relocated to a new home at Edinburgh College of Art this month.

Nick Barley is the director of the Edinburgh International Book Festival.Nick Barley is the director of the Edinburgh International Book Festival.
Nick Barley is the director of the Edinburgh International Book Festival.

Crowds will be capped at just 100 and 60 in the two spaces for events at the art college’s sculpture court due to the festival's policy to maintain one metre social distancing at all events.

However, all events being staged at the festival site, which opens on Saturday, will be available to watch live online from anywhere in the world.

Up to six cameras will be used to film each event, with some featuring overseas guests who will appear via a screen behind the stage.

Mr Barley said: “We’ve got to show that the experience you have in audience in the sculpture court or the courtyard at the art college is so good that it doesn’t really matter if an author is speaking from the stage in Edinburgh or speaking from their home on the other side of the world.

The book festival has relocated to Edinburgh College of Art this year.The book festival has relocated to Edinburgh College of Art this year.
The book festival has relocated to Edinburgh College of Art this year.

"Equally, we want to ensure that you will want to watch it whether you are buying to a ticket to come to the event in Edinburgh or are watching it online. We’ve put so much time and effort into making it an equal experience wherever you are.

“We may get the balance wrong this year. I think people understand we are in a transition period. Mistakes will be less forgivable next year. We’ll have to be the very top of our game.

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“One thing is for sure – we are not going back to the way we did the festival in 2019.”

Mr Barley insisted Edinburgh’s festivals had been grappling with how to reduce their carbon footprint for years and had been actively discussing the possibility of hybrid events evolving in 2019.

The sculpture court at Edinburgh College of Art will host the biggest events at this year's book festival. Picture: Lisa FergusonThe sculpture court at Edinburgh College of Art will host the biggest events at this year's book festival. Picture: Lisa Ferguson
The sculpture court at Edinburgh College of Art will host the biggest events at this year's book festival. Picture: Lisa Ferguson

The book festival director added: “We were all thinking hybrid events would happen in 2025 or 2030 at the earliest. The pandemic has brought it all forward.

“Our primary goal is to learn how to be a hybrid event, because we know that, in the future, we know that hybrid events are where it will be, not just for us, but for a lot of other festivals.

“It’s my view that Edinburgh will thrive in future if it can establish itself as the world’s leading hybrid festival city. That’s going to help us deal with the realities of the online world we are living in now, as well as the carbon footprint problems that all festivals are facing.

"One of the few benefits of the awful period we’ve been through is that its helped us to learn new tricks and innovate.